Today is my first day of freedom. While others made their way into offices this morning, I slept in. I’ll take a walk in a bit, make a few phone calls, and maybe cook an interesting lunch. Then I’ll settle into my own work on my own schedule, completely unaffected by anyone else’s rhythms. Bliss.
Truth be told, I’m terrified and paralyzed. Every fear I’ve had about freelancing came crashing down this morning. Will I make enough money? How will I socialize? Where will I exercise? Am I even capable of being accountable to myself?
I’ve thought these concerns through, of course, and have plans in place to address each. Still, I’m walking away from a routine I spent two and a half years perfecting—one that answered my every biological and monetary need and kept me functioning at consistent levels—and it feels a little nutty to abandon such a masterpiece. If it ain’t broke, why completely upend your life?
Yesterday a friend told me about Tibetan monks who spend days upon days creating elaborate sand mandalas, then destroying them as soon as they’re finished.
In many ways, my life in San Diego is a mandala, an intricate work of art I’ve poured my heart into getting just so. Unlike when I left Minneapolis in 2014, which was an act of pure flight, I’m wiping away this life because it’s peaked and there’s not much room for improvement. Too well constructed to alter, my routine began to feel like a cage, even though I loved every part.
I loved my weekly hikes and trips to the farmer’s market, my daily morning coffee and evening hour on the elliptical, my sporadic open mic attendances and hangs with the small handful of people whose company fed my soul. I loved this apartment. I loved the globe and bookends and teal side table I found at antique shops in Ocean Beach. I loved the neighborhood, the banana tree, and the smell that reminded me of an old apartment on Cathedral Hill where my ex and I raised a hamster. I loved this stupid couch, which I bought specifically because it folded into a bed, but which has never once been used for that purpose if for no other reason than that it has these hard little buttons that leave red divots in your skin (stellar design work, really).
Now, I’m starting over. I’m wiping the slate clean so I can begin a new work of art and find new things to love.
But the mandala is an imperfect analogy. Even when you discard your belongings, you don’t rid yourself of the experiences and memories that shaped you along the way. Our lives are less like slabs of concrete from which sand can be swept and more like cast iron skillets that absorb flavor from everything that touches them. The old iterations affect—and hopefully improve—the new.
I’m sitting here among piles of construction paper from a time when I used to make cards and crafts, and I’m coming to terms with two truths:
- As much as I want to conceive of myself as an artsy craftsy type, I’m not that person anymore.
- Choosing a new path neither invalidates nor erases the ones before it—I always will have been an artsy craftsy type.
(BONUS: If I want to do arts and crafts, I can probably afford to purchase supplies on an ad hoc basis rather than lugging tubs of decade-old crayons across the country just in case I get an itch to scribble in Burnt Sienna at a rest stop along I-5.)
Starting fresh means making dozens of decisions about who you are, who you want to be, and who you’ll realistically become. I’m working my way through the process now and letting go of—mourning—iterations of myself that no longer fit my vision of the future.
I cherish this opportunity to create something new, to painstakingly assemble an as-yet-unrealized version of my life, to unfold it slowly, with intention. I also take comfort knowing all the old flavors will offer seasoning to what comes next—and that I probably don’t need these old rollerblades hanging around to get that.